We, We Wish — Vol. 1

The Tutelar Guardian of Forgotten Tales

〈설령 잊혀지더라도 지켜야 할 것을 지키는 자〉

A dawn ritual at Seonbawi Rock transformed into moving image and a sequence of digital relics.

The masked artist performing at Seonbawi Rock before dawn
YEAR
2024
FORMAT
Single-channel moving image
Colour, stereo sound
DURATION
10 min 45 sec
MASTER
4800 × 1600 px
3:1 panoramic

The Tutelar Guardian of Forgotten Tales is the first completed chapter of Soojin Pray’s ongoing ritual-media project We, We Wish. It began with an artist-led dawn ritual performed and filmed at Seonbawi Rock on Inwangsan Mountain, Seoul, on 1 January 2023.

Across twelve ritual scenes, the artist works with mask, movement, breath, repetition, sound, and ritual objects. These elements function not as theatrical decoration, but as media through which fragmented cultural memory is carried, transformed, and made perceptible. The twelve scenes were later developed as digital relics and assembled into one 10-minute 45-second single-channel moving-image work.

The project does not reenact a traditional Korean shamanic ceremony. It reconfigures ritual structures through the artist’s trained body and contemporary media practice. A black unfinished mask operates as both guardian and aperture: a face for what remains unnamed, and a threshold through which memory can enter without being reduced to personal identity.

The work asks how embodied cultural knowledge may enter digital media without becoming spectacle or a fixed image of tradition. Digital media does not claim to preserve the original event in full. Instead, it carries partial traces of the ritual across different sites, scales, and viewing conditions.

The original ritual took place before sunrise at Seonbawi Rock, a site long associated with prayer and vernacular spiritual practice in Seoul. The mountain, rock, winter air, darkness, and changing light were not treated as a backdrop. They formed part of the conditions through which the work emerged.

The artist’s body moved through invocation, protection, mourning, purification, boundary, and return. Rather than reconstructing a historical rite, the performance established a contemporary structure for staying with memories and forms of knowledge that have been marginalised, unnamed, or left outside official archives.

The twelve ritual scenes were subsequently developed as digital relics. This online archive presents seven selected relics from that larger sequence.

Guardian of Forgotten Tales, digital relic 03
03

Video

Guardian of Forgotten Tales

The sound and gesture of the bara mark the transformation from witness to guardian. Memory is voiced through vibration rather than speech.

Peace Descends, Blessings Flow, digital relic 05
05

Image

Peace Descends, Blessings Flow

A bell and paper-adorned ritual staff mark the consecration of space. Stillness becomes a form of vigilance and care.

Graceful Touch, Souls Comforted, digital relic 06
06

Image

Graceful Touch, Souls Comforted

A fan passes across the mask in a restrained gesture of soothing, guidance, and relation.

Embracing All, Welcoming Spirits, digital relic 07
07

Image

Embracing All, Welcoming Spirits

The body opens around a sustained resonance, creating a threshold between seen and unseen presence.

Banishing Evil, Spirits Soar, digital relic 09
09

Video

Banishing Evil, Spirits Soar

Red fabric cuts through the air, drawing a boundary between what must be released and what must remain protected.

Guardians of Time, digital relic 11
11

Image

Guardians of Time

Bells are raised as sound marks a passage between temporal and unseen registers.

Mask falls, ritual ends, digital relic 12
12

Image

Mask falls, ritual ends

The ritual closes with a return. The mask remains as a trace of what has passed through the body.

Soojin Pray seated in a live performance at 10 Years After Ground, Gwangju, 2024

10 Years After Ground, Gwangju, 2024

Solo exhibition — twelve-tablet installation and three-hour durational performance

Single-channel moving-image presentation at Art Korea Lab Media Wall

2024 · SEOUL

Art Korea Lab Media Wall

The complete 10-minute 45-second single-channel moving-image work was presented on a large-scale panoramic media wall.

The Tutelar Guardian of Forgotten Tales at Circle Part.1, CICA Museum, 2026

2026 · GIMPO

CICA Museum

Circle Part.1, international group exhibition, 19 August–6 September 2026.

2026 · TARRAGONA, SPAIN

The Green Screen

Selected, international open call section; screening 13 November 2026 at Mèdol · Centre d’Arts Contemporànies.

PROJECT DOCUMENTATION

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FULL SINGLE-CHANNEL MOVING-IMAGE WORK · 10:45

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Project
We, We Wish — Vol. 1
Artist
Soojin Pray
Original ritual and filming
1 January 2023
Artwork completion
2024
Format
Single-channel moving image, colour, stereo sound
Duration / Resolution
10 min 45 sec · 4800 × 1600 px · 3:1 panoramic
Language
Non-verbal artwork
Artist, choreography, performance, and digital editing
Soojin Pray
Produced by
SPACE MOUM

RESEARCH NOTE During its early development, the project explored blockchain-based provenance and digital archiving. The completed artwork is presented as a single-channel moving-image work.