
01
We, We Wish
Three completed works tracing embodied cultural memory, ritual, and invisible relations across body, place, and contemporary media.
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Soojin Pray works across moving image, site-responsive performance, media installation, and embodied practice. Her projects examine how bodies, sites, and digital media carry forms of memory that are not fully contained by written or institutional archives.

01
Three completed works tracing embodied cultural memory, ritual, and invisible relations across body, place, and contemporary media.
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02
An early moving-image work in the artistic lineage of Soojin Pray’s ritual-media practice. A mythic figure moves through the alleys and rooftops of contemporary Seoul.
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03
A site-responsive ritual performance cycle that composes temporary fields of collective attention through sound, movement, breath, and place.
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04
Long-term embodied research into Korean body-cosmology, breath, movement, qi, meridian knowledge, seasonal rhythm, and everyday ritual.
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05
A moving-image series arising from MOUM: The Living Archive research and the classical Korean practice of nurturing life through daily bodily care.
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06
Developed during the COVID-19 pandemic, the project adapted the Korean cultural structure of one hundred days of practice into a collective inquiry into repetition, inner life, and shared time.
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07
RED GOKKAL, MAGO GAIA, and Circle of Life form an early moving-image lineage exploring bodily memory, myth, ritual, death and renewal, and the relation between body and place.
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08
A personal act of mourning unfolds through repeated bodily actions on tidal ground; the 2020 film was revisited through a complete sound re-edit in 2026.
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09
A media-wall moving-image work exploring the relation between digital environments and embodied perception.
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010
Archived XR research exploring continuity between virtual and physical space through immersive environment and spatial sound. Development discontinued.
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